Ana and Rosa got married on a Tuesday, which already tells you most of what you need to know about them.
We shot two rolls of 16mm and kept a small digital camera running for sound and the parts light couldn’t reach. The vineyard held onto the afternoon heat until almost eight.
The best moment of the day never made it to a highlight reel anywhere: Ana’s father misplacing his toast twice and just talking instead. That is the kind of thing film has time for.
Two rolls sounds thin until you see the cut. Editing for scarcity, not coverage, is most of the job.